Archive for May, 2008

Contest: In Plain Sight

Posted by Tony on May 22nd, 2008

Win an IN PLAIN SIGHT gift bag.

This contest runs from May 19th, 2008 to June 16th, 2008.

To enter this contest, send an email to contest at fanboysmackdown dot com

Put the phrase “In Plain Sight” in the subject line.

Please include your name and mailing address in the body of the email. One winner will be chosen at random from all entries to win the gift bag.

Catch the new series premiere on Sunday, June 1st on USA NETWORK, 10pm/9c. USA Network’s newest original series stars Mary McCormack (Private Parts and The West Wing) as Mary Shannon. Her friends and family think she’s just a glorified courier, but she’s actually a U.S. Marshal, working for the highly secretive Witness Protection Program. Her job is to help relocate federal witnesses.
Whether they’re career criminals, or just people who had he misfortune to witness a crime, they all share one thing in common – somebody wants them dead. Co-starring Frederick Weller and Lesley Ann Warren.

Enter to Win an IN PLAIN SIGHT GIFT BAG filled with

-In Plain Sight t-shirt
-In Plain Sight tank top
-TSA Approved Travel Kit (with 4 plastic toiletry bottles)
-In Plain Sight Luggage Tag

FBSD Episode 061: Feedback and the Finale

Posted by Tony on May 19th, 2008

This is the last one.

With this episode, the Fanboy Smackdown podcast is no more.  We are moving on and hanging up our microphones.

PSYCHE!!!!

We are just changing the name.  The guys of the Fanboy Smackdown are now the Backseat Producers.

Come visit us at www.backseatproducers.com.

Make sure when you get there you update your feed to the new feed. www.backseatproducers.com/?feed=podcast

You’ll find all the same fun stuff that we do here, plus we’ve got a news director who will be keeping the feed hopping.  We’ve got a lot going on.  You don’t want to miss it.

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Theatrical Review: Redbelt

Posted by Darren Goodhart on May 19th, 2008

Mike Terry is a mixed martial arts instructor specializing in Jui Jitsu. Terry is a very honorable man, using his martial arts and the instruction of to prevail in life, even though he finds that that’s not quite enough when the bills come due. And as Terry and his wife, struggle to make their ends meet, seemingly random events are starting to happen that look like they could be the answers to all of Terry’s problems. Except of course they’re not, and this ends up putting Terry in a position where he must compromise his values.

Redbelt is the latest movie from writer/director David Mamet, and I’ve got to say, I’m a huge Mamet fan, and with Redbelt he’s kind of making a throwback sort of film, like the type of movie that you might have in the day when say a boxer must find himself in a situation that in order to prevail he might have to compromise himself (or, in movie terms, In the movie Barton Fink, the title character finds himself in Hollywood having to write a Wallace Beery wrestling movie- Redbelt is probably the kind of movie that Fink would aspire to) and personally, I think this is one of the better films that I’ve seen yet this year.

The subject of mixed martial arts doesn’t exactly seem like the sort of thing that I’d ever really expect Mamet to delve into, and yet he pulls it off pretty nicely. There’s plenty of examples here of the fighting going on, and Mamet never gets theatrical about it, there’s no flashy moves or stylish edits, it’s all handled pretty matter-of-fact.

Chiwetol Ejifor plays Mike Terry and this is his film, hands down. For awhile now, Ejifor has demonstrated that he’s certainly one of the more versatile supporting talents in Hollywood today in such films as Serenity, Inside Man, Talk To Me and Children of Men, but in Redbelt, he gets the opportunity to carry the movie himself and he’s pretty much in every single scene of the film and does a fine job here, having a whole lot of heart in his performance, but discipline as well. He’s got a great supporting cast here including Mamet regulars like Joe Mantegna and Ricky Jay, but without a doubt the most unusual bit of casting is comic actor Tim Allen as an action movie star like Bruce Willis, who finds himself crossing paths with Terry. Allen’s really good doing this bit of stretching for himself and I just hope he manages to do some more of this over time. My only complaint with him is just that his part is pretty small in the big picture, but he still gets the job done.

Right as we’re in the midst of all of the big summer blockbusters, it’s certainly nice to see that a small movie like Redbelt can come out there and deliver the goods. Oh sure, it’s still going to get lost in the shuffle, but then expectations are a lot lower as well. Still though, this is a quality drama, and another great movie in David Mamet’s filmography. Highly recommended…

Theatrical Review: Speed Racer

Posted by Darren Goodhart on May 13th, 2008

Young Speed Racer has always had a big dream of being the greatest racer in the world and living up to the high standards set by his father in the production of racing cars and his older brother, Rex. As Speed has gotten older, he’s able to face that dream, though he believes his brother Rex to have been killed living out his dream. Now Speed and his family have the chance to be part of a huge racing conglomerate, Royalton Industries, but he turns it down, because even though he knows it could be a big personal gain, in the end it’s at the expense of what he and his family believe in with this sport. Speed ends up being recruited by a secret agency to root out the corruption and at the same time, bring back some glory to the sport.

Speed Racer is the latest film from The Wachowski Brothers (at the time they were still brothers anyway) who of course gave us The Matrix trilogy, and were executive producers of the adaptation of V For Vendetta. With Speed Racer their goal was to make a family film but something that pushed their own filmmaking skills in some new directions. And while Speed Racer certainly has it’s roots in other films (I’m thinking things like Flash Gordon, Popeye, Dick Tracy, Who Framed Roger Rabbit? and damn near anything that Tim Burton does) it goes further than any of those ever did (no doubt by technological advancements) literally making a live-action anime that’s a sight and sound sensory overload. I can honestly say, I’ve never seen anything quite like this from American filmmakers before.

And all the while, they do it by staying true to their source material. For many of us, the original animated Speed Racer was our first exposure to Japanese animation (or anime for those that don’t know the term) and I know as a kid weened on cartoons from Warner Brothers, Filmation and Hanna-Barbera, it was something totally new and exciting. Looking back at the cartoon now, it’s hokey and corny, and the movie certainly replicates that and even though, it’s visually and aurally amped up by a factor of ten, at it’s core, it’s absolutely true to it, even maintaining the innocence that I got from it.

Now I really enjoyed this, but it’s not without a criticism and mine is that it’s a little too long. The Wachowskis do their best to keep it all moving at a rapid clip, even employing a new editing style that has it’s own rhythm to it, but still this probably could’ve been shortened by a good ten or fifteen minutes (right now the movie weighs in at 2 hours and 15 minutes long).

The Wachowskis have a good solid cast here, with Emile Hirsch in the title role and backed up by Christina Ricci, Susan Sarandon, John Goodman and Matthew Fox amongst others. And while no one here is going to win any awards for what they’ve done, I have to give them credit for fully handing themselves over to the Wachowskis and trusting in their vision. I could see for a lot of people as a bone of contention being the characters of Speed’s little brother Spritle and his pet monkey Chim-Chim, and yet again, they’re true to the cartoon- sometimes you just hate them, sometimes they’re as funny as can be and sometimes their humor is just the pure groaner variety, but that was the same way as it was in the source as well. I really like the cast and give special kudos to both Sarandon and Goodman for some bit of weight here, especially Goodman who’s no stranger to playing an over-the-top character by any means. He’s played Fred Flinstone and any number of his characters that he’s done for the Coen Brothers can just as easily be seen as living cartoons, and Pops Racer is just another notch in his repertoire, but still he’s fun and it sure looked like he had fun here (at least to me).

Now with all this said, and again I really enjoyed this (though I’ll certainly grant that I was predisposed to as well- this was the one that I was most looking forward to seeing this season just to see what new stuff the Wachowskis had in mind), I find this hard to recommend unless you’re really, really open to it. There’s so many strikes against it as far as a general audience goes, that if you’re coming into it with any sort of bias against it, there’s everything there to feed into it- there’s the anime angle, there’s the CGI angle, there’s it’s explosion of color, there’s the corniness and there’s the whole thing that many have against the Wachowskis for the second and third Matrix films (and I’m not one of them, I’m pretty much ready to go toe-to-toe with any one that hates those movies at any time). So seriously, if you have that anti-bias on any of those levels, stay home, don’t bother. But if you’re open to some new stuff and if you’re a fan of the original cartoon (corniness and all), I wouldn’t hesitate for a moment to see it in a theatre. And I was lucky enough to see this in a room with digital projection as well, so the experience was even better, actually seeing this in a way that will be even better than what I could have at home.

I’m expecting this one to be pretty polarizing, and can already picture the critics on the weekend movie shows (Ebert & Roeper and Reel Talk just chopping this one up in a big way), but I thought it was a lot of fun and look forward to watching it again and again when it makes it’s way home.

DVD Review: Alien Nation: The Ultimate Movie Collection

Posted by Darren Goodhart on May 12th, 2008

In 1988, a cool and different little genre film premiered called Alien Nation this movie which sprang from the mind of Rockne S. O’Bannon told the story of how an immense group of alien slaves (over 250,000) found themselves stranded on Earth and had now been incorporated into our society. The movie starred James Caan as Detective Matt Sykes and Mandy Patinkin as his alien partner, George Francisco, and it’s nice and different take on the cop/buddy film but with a genre twist.

The movie as a pretty moderate success and in 1989, a fledgling FOX TV network took the movie and had it modified to be a weekly series (and if memory serves, it ran on Monday nights). The series was spearheaded by producer/writer/director Kenneth Johnson who, like Rockne O’Bannon, comes with an impressive genre pedigree (O’Bannon was also a big contributer to the 80s revival of The Twilight Zone, but he’s far more famous for creating the world of Farscape). Kenneth Johnson was behind such TV hits as V and The Incredible Hulk and had worked on The Bionic Woman and The Six MIllion Dollar Man.

The series starred Gary Graham as Matthew Sykes (certainly far and away a different presence than James Caan) and Eric Pierpoint as George Francisco, and these guys were really a good team on the show, I actually preferred them over the theatrical version. And while science fiction shows have really progressed since this premiered, for the time that it was on, it was certainly something that really hadn’t been seen on TV before.

I used to watch the show regularly and I was disappointed that it was only cancelled after one season, but certainly give Fox credit for sticking with this at the time and obviously for bringing it back in a series of movies (and no, I’m not one of these guys who’s going to jump on an anti-FOX bandwagon because their genre series gets cancelled).

After the series was cancelled (and on a cliffhanger no less) FOX commissioned Johnson and company for a TV movie to let them wrap everything up, that movie Dark Horizon covered a number of things, another Tenctonese ship in space looking at Earth as the spot where 250,000 of their slave class had been misplaced, the danger that the settled Tenctonese were facing from a secret virus developed by a purist political group, and further development and near resolution of the relationship that was always being teased at between Sykes and a Tenctonese doctor named Kathy (played by Terri Treas). It’s a fun film, especially if you used to watch the show. I know when I watched this, it was literally the first time I’d even given Alien Nation any thought over the years, and I have to say, I had a very pleasant time re-living this again.

This was a success for FOX and the following year, another movie came out, Body And Soul, and with this film, we sort of drop back to an expanded TV episode, this one centering around a Tenctonese/Human hybrid…

In Millennium, George’s son, Buck, who’s displayed Tenctonese loyalist qualities throughout the run, gets drawn into a cult, with of course Sikes and Francisco out to uncover the secret.

In The Enemy Within, George has to confront a some of his own prejudices after investigating the death of a lower class of Tenctonese.

And in The Udara Legacy, we get a story involving how some of the Newcomers who’ve adjust well to their new world are now committing crimes and find out if there’s a connection to the Udara, a segment of the Tenctonese who’s committed themselves to overthrowing their Overseers.

I think your satisfaction with the movies themselves will just come from whether you’re a fan of the show, though there is enough here in these films to tell you the background and overall story without having seen the first season, these do all seem now almost a little too late 80s cop/buddy fare and a modern genre fan (who’s never seen any of these shows before) might see this stuff as almost a little hokey or corny compared to shows that they see now. Well, that’s your TV history for your… when the series was on, cable wasn’t yet the beast it was today, and FOX had yet to discover American Idol gold… and they were still trying all sorts of stuff to see what would hit. I think overall, these movies are some good fun, and if you were a fan of the show, then by all means, look at picking this set up, because FOX has done a real nice job with the set.

First off, they all look fantastic, far better than you ever saw them on broadcast. I was particularly taken by the visual effects around the Tenctonese slave ship in Dark Horizon and just how crisp it looked here. The presentation is full-frame so for you folks looking for anamorphic widescreen, this was made before that was going on.

Kenneth Johnson provides commentary for all five of the movies, and Johnson is just as sharp as can be when talking about these films. He’s willing to go into technical detail as well as a little bit of personal discussion. As much fun as the movies are themselves to watch, they’re even more fun to watch with Johnson’s commentary tracks and getting a glimpse into both his production style and what it takes to shoot a TV movie.

But there’s more… Each movie also features a making of featurette that’s not the slickly produced things that you see, no what you have here is literally home movies made around the shooting of each film. These are all shot by a woman on Johnson’s staff, and here Johnson provides commentary for these films. After I saw the first of these for Dark Horizon (which was about 20-25 minutes long), I’d really thought I’d gotten a nice little bonus here.

There’s also extensive photo galleries for each film, much of these from Kenneth Johnson’s on collection, and these were pretty cool with the added bonus of seeing photos from recent Alien Nation cast reunions, so you’ve got a chance to see what Gary Graham, Eric Pierpoint, and the rest of the cast look like now. I’m not usually that big on photo galleries on DVD sets, but for this set, well these just go beyond the normal studio publicity stills and as such are a great part of seeing some of the history and production of this show.

This set gets a big thumbs up here, though I recognize the fact that it still may not be for everybody. Genre fans that like the old show shouldn’t hesitate for a moment here. Genre fans who have a sense of perspective and an appreciation of what was in the past will probably like this as well. After that, it’s hard to say who will like the set, but I can at least tell you that I think it’s fantastic. Kudos to FOX for a job well done…

FBSD Episode 060: Juno

Posted by Tony on May 11th, 2008

Happy Mother’s Day!

Tony, Adam and Sergio discuss the teen pregnancy comedy, Juno.

Next week’s episode will be a Feedback show. Please get any feedback to be featured in this show to us by Wednesday, May 14th at 8 PM Eastern/5 PM Pacific.

fanboysmackdown at gmail dot com

618-207-4747

www.farpointforums.com

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FBSD Episode 059: There Will Be Blood

Posted by Tony on May 6th, 2008

In this episode, Tony and Adam drink your milkshake; they drink it up.

Just a reminder, the name of the show is changing. We don’t have a date set, but we’ll soon be changing the name of the show to Backseat Producers. If you are an artist who might be able to help out with some of the art for the new site, please send an email to tony at fanboysmackdown dot com.

We talk about There Will Be Blood, the 4th in our series of Best Picture Academy Award Nominated films. During the break, Holden and Tony discuss the movie Iron Man.

Just after the break, we peel back the curtain. Normally when we take a break we BS for a few minutes, refill our drinks, etc. This time we discuss a few things that are coming up in the podcast and some thoughts on other films. This conversation was not intended to be aired, but while editing, Adam thought it would be fun to leave this chat in there. It’s fun and even more casual than the episode proper. We didn’t make a mistake leaving it in there… we know… it’s on purpose… enjoy it.

We follow up our discussion of the film and discuss our thoughts about watching this character’s life arc from his humble beginnings through out his life.

Also, we’ll do a feedback show just before we do the name change, If you have any comments or questions for us,

Send email to tony at fanboysmackdown dot com or adam at fanboysmackdown dot com

Post comments on the website or at the FarPoint Forums.

You can also leave voicemail at 618-207-4747.

Catch you on Mother’s Day when we talk about Juno.

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Contest: The Mist

Posted by Tony on May 6th, 2008

Win one of two copies of Stephen King’s The Mist 2 DVD set. This is a 2 disc set.

This contest runs from May 6th, 2008 to May 31st, 2008.

To enter this contest, send an email to contest at fanboysmackdown dot com

Put the phrase “The Mist” in the subject line.

Please include your name and mailing address in the body of the email. One winner will be chosen at random from all entries to win the movie collection.

This contest is open only to US Residents and only one submission will be accepted.

Synopsis

David Drayton (Thomas Jane) and his young son are among a large group of terrified townspeople trapped in a local grocery store by a strange, otherworldly mist. David is the first to realize that there are things lurking in the mist, creatures not of this world, that force David and the hostages to band together in a fight for survival. However he begins to wonder what terrifies him more: the monsters in the mist or the ones inside the store, the human kind, the people that until now have been his friends and neighbors?

Special Features:

  • Exclusive Black & White Presentation of the Film (2 disc only)
  • Collectible Booklet with Written Commentary by Darabont (2 disc only)
  • 8 Deleted Scenes with Optional Commentary
  • Audio Commentary with Writer/Director Darabont
  • When Darkness Came: The Making Of The Mist (2 disc only)
  • Taming The Beast: Shooting Scene 35 (2 disc only)
  • Monsters Among Us: A Look At The Creature FX (2 disc only)
  • The Horror Of It All: The Visual FX Of The Mist (2 disc only)
  • Drew Struzan: Appreciation Of An Artist (2 disc only)

Theatrical Review: Iron Man

Posted by Darren Goodhart on May 5th, 2008

Billionaire munitions manufacturer Tony Stark is living the good life, enjoying a bit of a hedonistic lifestyle from profiteering from his weapons sales. He has his justifications for it and he’s proud of it, and then one day it all goes to hell. After demonstrating his newest weapon, a landscape altering super-missile called The Jericho in the Mid-East, Stark is ambushed by a terrorist group called The Ten Rings, and taken captive where he is forced, along with another scientist named Yensin, to re-create the Jericho for his captors. Stark has different plans though, and instead makes for himself an incredible suit of armor that he eventually uses to take out this cell of The Ten Rings and free himself. Once he’s made it back home, Stark has experienced enough of a life change to want to bring his weapons-manufacturing to a close, and yet still secretly perfecting the armor that he created, now wanting to take on the role of protector. This all to the disdain of Tony’s partner in Stark Enterprises, Obadiah Stane, who has his own sinister agenda.

Jon Favreau’s adaptation of Marvel Comics’ Iron Man is without a doubt, one of the most anticipated movies of the year. It’s been no secret how Favreau has immersed himself in the material and made himself accessible to fans, earnestly wanting to make the best possible movie that he can, and I think for the most part, he’s succeeded wildly. Iron Man being the first Marvel Comics property controlled by Marvel Entertainment, is a pretty entertaining film with a lot of promise of what’s to come from future Marvel properties handled by Marvel Entertainment.

Favreau’s immersion in the material has some great pay-offs to fans of the character (and I am definitely a fan of the character, Iron Man was always one of my favorites as a kid, with the version by David Michelinie and Bob Layton being in my mind the definitive version of the character) and nods to just about all of the major versions of the character, from the Stan Lee origin, to the Michelinie/Layton run and even up to the version presented by Marvel’s Ultimate line, there’s a little something of everything here, and yet it’s all accessible to those who know nothing of the character as well.

Favreau’s film is stylish yet not overbearing, and with the exception of three scenes that are there for more lowest common denominator laughs, it all works really well- fortunately those scenes don’t really cause any reverse sympathy towards the character, and so much of the rest of the film is spot-on that they’re pretty forgivable.

Favreau’s best move is in his casting, and here he’s picked actor Robert Downey Jr. to portray Tony Stark, and really that’s inspired casting. Downey’s own personal problems actually play into things that affect Stark in Iron Man comics continuity, and Downey has literally thrown himself into this. Personally speaking, I think it’s one of his best parts yet. Favreau’s got a good supporting cast here as well, with Gwyneth Paltrow playing Stark’s personal assistant, Pepper Potts, and Terence Howard playing his best friend, James Rhodes, both are solid here and in particular, Paltrow does a great job. Favreau’s even put himself in the movie as Happy Hogan, one of Stark’s bodyguards- and though Hogan had a bigger part in the comics continuity, Favreau chooses not to dwell on him too much here. The final bit of main casting goes to Jeff Bridges as Obadiah Stane, and again, it really looks like you have another actor here who’s just eating up the part he’s in and just adding to Bridges’ own incredible diversity to what he’s done on-screen (there’s one point where I’m watching this, just enjoying Bridges’ performance and remembering this guy played The Dude in the Coen Brother’s The Big Lebowski, just thinking of the extremes that Bridges has covered in his career).

The visual effects are, of course, another big star of the film and they’re really nicely done. I particularly enjoy watching the character take flight. There’s one scene where Stark is being “suited up” so to speak by all sorts of robots attaching the armor onto him, and it made me think back to back in the day in the comics when the character used to carry the armor with him in a brief case, where he could just suit up like he was putting on another set of clothes. It’s sorta ironic in a way, because the method used in the movie certainly looks cool, but considering the technology in the Marvel Universe, the old way would actually be far more advanced, and that of course could even be extrapolated now to a point where the character, technically speaking, now wouldn’t even need a suit of armor any more to function, but I digress… that’s certainly a discussion for another time…

Still though, Iron Man is a whole lot of big-ass fun, and there’s weight here to both it’s main character and his ideas beyond just the action of the film. Highly, highly recommended… and whatever you do, stay past the end credits for one last scene, that certainly is worth seeing.

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